When I was a kid, my family was always on the move. Okinawa, Japan to Chinhae, Korea when I was three, Tokyo when I turned six, then to Seoul a few years later; to northern Germany when I was thirteen and then to Bitburg, Germany 2 1/2 years after that. And in each of those places we moved from home to home — sometimes base housing, sometimes an apartment in a neighborhood where we were the only Americans, once on a missionary compound, and for nine horrible, terrible months two small adjoining rooms in the Harbor House hotel.
We don't ever talk about those nine months we lived in a hotel. Not directly, anyway. Every once in awhile something sort of inconvenient or sucky will happen, like, maybe there will be an intense heat wave in Europe and my mom will call and complain that she and my dad don't have air conditioning and it's just so hot and the sweat is dripping off her and I'll say, "Well, it could be worse. You could live in the Harbor House." And my Mom will sigh heavily and say, "Oh, God, that was so terrible." And then we'll quickly change the subject.
I was 13 the year we lived in the Harbor House. We'd just moved from Seoul to Germany and the hotel was supposed to be a temporary place to stay until we found a house to rent. I was familiar with the set-up — we'd always had temporary housing for every move before and it usually took about two or three weeks until we moved into our "permanent" place of residence. In Seoul it took a little longer than that, but the government put us up in the Hyatt Hotel and it was pretty swanky so none of us minded too much. I remember moving out shortly before the holidays and the staff had just decorated the hotel and I was sort of sad to leave the enormous gingerbread house they'd put on display in the lobby even though it meant getting a bedroom all to myself again. But the Harbor House was decidedly no Hyatt Hotel and when you're 13-years-old and you've just moved to a new country — a new continent — in the middle of the school year, and you're sharing 325 square feet with your mom, your dad and your 6-year-old sister, the angst is pretty tangible. It's like a rash that won't clear up.
I guess my
parents were under the assumption we'd be staying put for awhile this
time, that there wasn't another move immediately on the horizon. So
they were serious in their search for the right place to nest. My mom
had a long, long list of things she was looking for in a house, from
bedroom closets (they basically don't exist in Germany) to built-in
kitchen cabinets (also a bit of a novelty) to plenty of room for her
miniature collection. After nine months — nine long, anxious
months in which I routinely entertained thoughts of running away to
France and becoming an underage barista — we finally moved to our new
house. We stayed there less than two years.
My mom's always been a big fan of visualization and "signs." If I had ever had a boyfriend who cheated on me when I was single, my mom probably would have said something like: "Well, I guess that's a sign he wasn't the right guy for you." No, it's a sign he's a total asshole, is what it is.
Anyway, when Drew and I started our preliminary search a few months ago for a place to buy, my mom suggested we make a detailed list of everything we're looking for and to start visualizing the place and seeing ourselves living there. She told me I should ask for a sign to let us know when we'd found the right place, just like she did all those years ago when we first moved to Germany.
"You asked for a sign?" I said.
"Oh, yes." she replied, "A specific sign. And I didn't stop looking until I saw it."
I feel like things would have gone a lot more smoothly — like maybe we wouldn't have spent nine months living in a hotel — if the sign she asked for was, say, a sink in the bathroom, or a foyer area where we could leave our shoes. But I digress.
In a way, I think she's kind of on to something. I don't know that I'd turn down the perfect place if it didn't have the sign I'm looking for, but having one might make things easier if there are ever several places we like and we can't make up our minds. So I've been thinking about this a lot, about what the sign should be, and I guess it ought to be something that's unique enough we won't see it at every place we look, but not too crazy we'll spend years waiting to find it. And this is what I've decided: we'll know we've found the place for us when we see a map of Graceland tacked to the inside of a hall closet. That's it, that's the sign. Come on, Elvis fans; show us what you got.